Rated R/ 104 Minutes
Directed by: Paul Downs Colaizzo
Cast: Jillian Bell, Michaela Watkins, Utkarsh Ambudkar


  • Sunday, September 15:  (3:00), 5:30, 8:00
  • Monday, September 16 - Wednesday, September 18:  (5:30), 8:00
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Brittany Forgler is a hilarious, friendly, hot mess of a New Yorker who always knows how to have a good time, but at 27, her late-night adventures and early-morning walks-of-shame are starting to catch up to her. When she stops by a Yelp-recommended doctor's office in an attempt to score some Adderall, she finds herself slapped with a prescription she never wanted. Forced to face reality for the first time in a long time, Brittany laces up her Converse and runs one sweaty block. The next day, she runs two. Soon she runs a mile. Brittany finally has direction--but is she on the right path?

 Jillian Bell excels as a trainwreck who gets back on the rails

— 3 stars (out of four)

Michael Phillips - CHICAGO TRIBUNE

Eight years ago, Jillian Bell was playing “Girl at Shower" in the hit comedy “Bridesmaids.” Now, finally, the “Saturday Night Live” writing alum and familiar supporting actress and voiceover regular has landed a new role: Woman in Title. Opening wide this week, “Brittany Runs a Marathon” has done well in limited release in LA and New York for a reason. It’s an enjoyable mainstream comedy asserting that change is possible, weight can be lost and races can be won, or at least completed: The marathon of the title refers to the New York City Marathon. It’s simple stuff in terms of narrative. But it’s amplified by a few satisfyingly complicated aspects to Bell’s character. The movie is very hard on its protagonist, and not all the obstacles, humiliations and setbacks escape the realm of cheap pathos. Bell and company keep it honest, though. The movie thrives in its detours. Brittany’s self-doubt makes it a pretty harsh experience. There’s an element (a good, funny, honest element) of Amy Schumer’s showcase feature “Trainwreck” in how “Brittany Runs a Marathon” works. As with that picture, you can feel the gears grinding when it’s uplift time. Yet the uplift is the selling point. The movie succeeds because Bell succeeds. It’s gratifying to see a so-called character actress with reliably deadly comic timing loosen up, stretch out and learn what it means to carry a movie.

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