- RFT'S 2014 Best Movie Theater
- Neighborhood Business of the Year
- STL Magazine A-List winner
- Best Theater Marquee
- Best Urinals
Dani and Christian are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing. From the visionary mind of Ari Aster comes a dread-soaked cinematic fairytale where a world of darkness unfolds in broad daylight.
Adam Graham - Detroit News Film Critic
Nighttime is scary. When done right, daytime is scarier.
"Midsommar" gets it right. This twisted daylit nightmare is a masterpiece of mood, all the more disturbing since it's set entirely underneath the bright, beating sun. Anyone can be scared of the dark. Ari Aster makes you scared of the light. Aster is the writer-director who last year made "Hereditary" and established himself as a sophisticated purveyor of wickedness. With "Midsommar" he doubles down. He's dealing in extremely messed up pagan rituals, and the plot can very loosely be described as "Hostel" by way of "The Wicker Man." Yet Aster's vision is so singular that "Midsommar" feels entirely original, a compliment to both his style and his ability to build atmosphere. Florence Pugh, entirely convincing as WWE grappler Paige in this year's "Fighting With My Family," is dazzling as Dani, a college student who suffers an unspeakable family tragedy as the movie opens. Things get worse from there. And Aster doesn't lose sight of the story he's telling. Though there's a superfluous side story about competing research papers, he's focused on telling the story of Dani, and her emotional reawakening and enlightenment. Pugh does so much in tiny gestures and below-the-surface emoting that her performance looks effortless, and Aster makes her glow. And the sunshine has rarely looked so sinister.
An understated and wonderful St. Louis gem, the Hi-Pointe Theatre was built in 1922 at the incredible intersection of Interstate 64, Clayton Road, Clayton Avenue, McCausland Avenue, Forest Avenue, Oakland Avenue and Skinker Boulevard, today also the home of the world’s largest Amoco sign and just at the southwest corner of Forest Park. Continue Reading